Dotted with strange plants and impromptu dancers, she aims to host any visitors with everything from music, to food and scent, ensuring that you don’t leave without taking part in some way, shape or form.
Isabel Lewis will be taking over the Tanks with her site specific installation, which unfolds between the Lobby and the East Tank as the days go by. So what can you expect to see in daylight hours? Staged in the unique space of The Tanks, this exhibition celebrates them coming into their own, proving that art can create participation, and can be experimental, yet informal, playful and fun. Since opening the new Switch House last summer, performance has been right at the heart of Tate Modern’s refreshed offering. This ten-day extravaganza of installations, performances, film, music and choreography, is also a huge missed opportunity, given it finishes before the Easter holidays, despite the mammoth efforts of their curatorial team.
If only it was on for longer, I thought as I exited BMW Tate Live: Ten Days Six Nights at Tate Modern this morning. Tate Modern Ten Days Six Nights Fujiko Nakaya © Phillipa Ellis, Arts Aloud
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